Note: I received a free copy of this book in exchange for an honest review.
Amateur sleuth Emily Cabot’s journey once again takes her to a world’s fair–the Paris Exposition of 1900. Chicago socialite Bertha Palmer is named the only female U. S. commissioner to the Exposition and enlists Emily’s services as her secretary. Their visit to the House of Worth for the fitting of a couture gown is interrupted by the theft of Mrs. Palmer’s famous pearl necklace. Before that crime can be solved, several young women meet untimely deaths and a member of the Palmer’s inner circle is accused of the crimes. As Emily races to clear the family name she encounters jealous society ladies, American heiresses seeking titled European husbands, and more luscious gowns and priceless jewels. (Summary via Goodreads.com)
Death at the Paris Exposition is the sixth book in the series, but this was my first experience with Emily and her adventures. If you’re like me and pick this book up out of order, don’t worry–it won’t take away from your enjoyment and understanding of the book.
This story revolves around Bertha Palmer (a real, historic Chicago socialite) and her family’s troubles. Emily, our main character, is Mrs. Palmer’s social secretary, and as such, she and her family have been invited to Paris to see the 1900 Paris exposition. But as these rich and privileged people (and the many lower-class people surrounding them) prepare for the upcoming festivities, their fun is marred by several thefts and a couple of murders.
The author does a fantastic job of exploring Paris at the turn of the century. I loved the descriptions of fashion at the Paris exposition, especially. The characters spend a lot of time at the House of Worth, a couture house in Paris, and each of the women’s dresses are described in vivid detail.
While the setting is well fleshed out, some of the characters are not. Bertha Palmer is an interesting character, but her (fictional) counterparts, like the Johnstones, are often static. An unfortunate side effect of the focus on fashion does portray some of the women as shallow, since they think of little other than the newest gowns and their efforts to snag a high-class European husband. Even Emily’s own husband gets little page time, even though he spends most of his time in the same social circles.
Still, the mystery was engaging, and I was definitely surprised by the ending. This is a fun book for those who want a historical mystery that’s rich in detail and don’t mind if some of the characters fall flat.
Rating: Good but Forgettable